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Divine Stupidity "... divine or stupidity? Attic

The "beautiful Leon" Pulchra Leonina , as referred to the Cathedral of León, is another example of the behavior, "neurotic" and "bipolar", the authorities manage the cultural heritage Celtiberian. A heritage, secular or secular, are subsidized by public funds coming out of our taxes. Taxes, when to be awarded and received nobody cares that ideology or belief come from, but those who have paid both or lack of them, or are opposite to those of the recipients.

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its doors found in the schedule of religious services in parishes throughout the city, and superimposed on this information are the evil red circles, framing camera and video recorder as a satanic instruments. Just missing the angel with the fiery sword, ready to throw the "paradise" if we dare learn from these forbidden fruits.
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For if we had temptations, ignore such prohibitions are attached sign warns us that the grounds of the Cathedral is "protected by CCTV cameras." That is, if we take pictures "backroom" will be discovered and filmed.
deterrent paraphernalia is complemented by a security guard, who comes to meet us, just crossing the threshold of the temple and see the cameras hanging from our necks, to remind bans hung on the doors.
funny thing is that we have many photos inside the temple, in 1974, 1981, 1990 and 2000. That is, during those 26 years no one bothered that tourists make pictures inside the cathedral, the stone flashes were not spoiled or hindered the faithful to pray. But now, it's ... What is it? Question of "security"?, What "conservation"?, "Of" arrogance "? Divine Stupidity "?
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However, to make us more bewildered when we visited the Church of San Isidoro, resigned and not to obtain images inside ... Turns out, the door was not the symbol of prohibition, and not within, nor was "security officer" cautionary. We could take pictures freely! No one cared that disparásemos our cameras as much as we want!
Does the stone of a building is more "sensitive" than another of our "shots"? Does the "God" of this temple is more permissive than the "God" of the temple? Or does not dwell in temples "God" but only the "merchants"?
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To whom may concern: Although it stumbled in the same stone again and again, we ask that reconduzca the nefarious, and anarchic politics, "photo" in existing Celtiberian monuments. For those who love photography and art, what remains? Maybe throw us into the mountain, forming armed commandos of cameras, photographic transform into warriors? As you reflect, go to pillory and stocks, which will be photographed day and night until the light flashes so crazy.
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Health and fraternity.

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National Historical Site!

The church of Santa Maria del Vizbayo in Vizbayo Otero (León), which is becoming an area of \u200b\u200bPonferrada, was declared "National Monument" from 1982. But have no illusions, from the eleventh century the nonsense here have often on this building.
In the past the 70 th century, the parish cemetery was closed by a wall, attached to the apse, made of gray concrete blocks topped by barbed wire, with a look at the best style of metal scrap yards . Tapia has not prevented the theft of images, or the desecration of graves, but Wall has served on the graffiti exercise their "popular art."
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Without going back to "repair" above, in 1916 sank the vaults of the presbytery and apse, whose botched reconstruction "lost" the beautiful Romanesque sculptured corbels -But two. Everything was reassembled in a hurry, without regard, so that precious items missing had survived for centuries.
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The wall above, and his "crown of thorns," nor have prompted the better preservation of the cemetery that supposedly protects. There are frankly damaged graves, and others in a state of sad neglect. Of course, following a long-standing tradition celtibérica, despite plenty of room, the graves stubbornly stick to the walls of the temple, as if that these deceased were to glory a few minutes before the farthest, or glory were to be most glorious.
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And, yes, have seen it, do not rub their eyes. The apse is triumphantly "decorated" with a surrealistic mansard attic. Renting the attic to meet parish expenses, given the housing shortage and how are the rents in these times?
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For the beautiful apse window, single copy, which have not been deprived of damage enlarging their stylized vain wires that run out and get caught by the drum head, as an advertisement for what we will find inside.
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Interior, al que se accede por una portada sin duda digna del mejor y más afamado “Monumento Histórico Artístico Nacional”: malamente encalada, cubierta de suciedad, llena de grafitos y obscenos chorreones de mugre.
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Un interior indescriptible... ¡De pesadilla! Porque así, a bulto, todo parece normal, pero no hay más que fijarse en los detalles. ¡Y que detalles! ¡El sueño loco de un interiorista kich!
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Lo primero, esos “santiños”, que han de ser de gran devoción, not doubt, and therefore deserve all our respect, but whose conservation, exhibition and distribution does not improve its aesthetic qualities. More than the apse of a church that seems odds-loft, where the merits of the sculptures can disappear into the general sloppiness.
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Then that window, trans-post-modernist, his father's side, and geometric abstraction, through his mother, "a game" with both Baroque chandeliers, lamps I mean, because spiders also natural abundant, escorting the Nazarene, who, of course, leans his face feeling embarrassment. Meanwhile, good old San Francisco opens its arms in a gesture of helplessness, as if asked: - "Why God, why hast thou forsaken us in this joint ...?.
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The Saint of Assisi, has many reasons for that gesture desolate. Underfoot fascia runs a poorly remade, daubed like the face of an old prostitute, on which rests a golden spotlight. Focus is not so, but "apply" wall, converted for the occasion, and "applied" to "as it comes out" on some walls that have been half-removed layer of lime, by the method of chopping and unceremoniously ring the ancient stones.
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The tangle of wires, bomb no turning back, extending around the temple. Go up the vaults, down by the whitewashed walls, repainted entangled in brackets, doors and stairs ... Cables that run in fits and starts in the grounds, spliced \u200b\u200bin a bad sense of the term, based on tapes that are clamoring for a spark and subsequent fire. Purifying bonfire, only by divine miracle, has not yet been produced.
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Finally, the Romanesque font, fluted, simple and honest has been desecrated with the blasphemy of rouge, more typical of a coming Daifa unless a sacred object. Repainting, which produce an infinite punishment in any moderately sensitive spirit.

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And yet here, supreme celtibérica neurosis is not allowed to take as many pictures as you like. It is as if the authorities 'competent', adding insult to the injury, it would overburden the world as to boast of their incompetence openly and ...
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To whom it may concern. Do not bother, do not waste time, energy and taxpayers' money, to declare "Historical Monument National Artistic "no building then, once finished the ceremony and have posed for press photos, it will ignore miserably. From 1982 until today have passed twenty-seven, twenty-seven, of the famous father Cronos husbandry, and the temple of Vizbayo is way ever since. Time has gone by without passing through it. Please
and to the task, command and control, given that very well, the complete rehabilitation of the monument before the cables and humidity give us a fright, or worse. As he decides to act, go to pillory and stocks for the time it takes to disappear these blush natural degradation.

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Health and fraternity.

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"glass roofs ..."

Saints Cornelius and Cyprian, Revilla de Santullán (Palencia).
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We fully agree on the protection of cultural property, but that it threatens the integrity and uniformity of the property protected, since that would, in the words of the proverb: " Make a cake pan as a " get a result that is flawed, contrary to what was intended.
This is the case, when the attitude of "protection" seeks to develop a good idea without having fully understood.
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In the Temple of Saints Cornelius and Cyprian, in Revilla de Santullán, the south facade has attached an enclosure, whose origin could be in a missing portico. The fact is, this space has been protected for centuries magnificent facade allowing reaches us in perfect condition. When conducted last restoration, it was thought that it was cheaper and provided more beauty to this home, natural light than artificial. Therefore, on the roof of the room, opened a long span occupied by a translucent material, which drops on the cover, a soft overhead light.
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The solution is simple, not ugly or out of tune the whole and, in addition to saving on electricity, emphasizes the aesthetic qualities of the stone that protects. We can say that it is, a "brilliant idea."
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San Pelayo, Arenillas de San Pelayo (Palencia).
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view of the correctness of the above solution in the Church of San Pelayo, Arenillas de San Pelayo, we tried something similar but without the same elements.
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The problem is that here there was no protective space prior to the south portal, so we had to create it. This will set up a simple structure, a framework based on two left feet, which bear a large transparent sheet Drain the water and protect the deteriorating image of the cover.
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The trouble is that such a structure, which we do not know if it is material that mimics wood metal, or wood that seems plastic, metal or plastic that mimics wood seems, has been positioned so that the set completely at odds . If by far and we are shocked, closely resembles some scaffolding for its low altitude and inclination, hinder the overall vision of a beautiful home that deserved better. In addition, such structures have been embedded in the walls with metal parts and hardware elements that have to do much good to the stone. If the intention was good, that nobody doubts it, the result is quite doubtful.
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Assumption, Lagunas de Somoza (León).
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A more modest scale, the idea, the dubious idea was repeated in the temple of the Assumption, in Lagunas de Somoza (León). There, on the north door rescued, built on the corbels, beams have been a stark wood piece that supports the small translucent.
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ugliness and doubt on the practical utility of the invention, should be added that the "crystal" or "methacrylate" or whatever it is, is cracked, do not know if by the grace of weather or the stoning of the small fry. But the damage is not yesterday, visited the place on the 16th of April 2000 and was well, went back on 5 April 2009, after nine years, and this element is even more flawed. The implication, again, neglect and poor maintenance.
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To whom it may concern: remember that " who has a glass house, should not throw stones at your neighbor ." Therefore, try to amend their mistakes, do not follow advice of "restorative design", but qualified professionals, because protection is not "create." Those wishing to install neo-elements that mark contemporary left as his "art", do it in modern cores of cities and towns, but not in the historic buildings, bastard an art that they have not been able to create and whose spirit seems be unable to comprehend. And you, go to pillory and stocks, with no roof to protect it from the elements, until you understand who prostitute the heritage Not the best way to make history.
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health and prosperity.