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Escanduso: vergüenza and humiliation.

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La Cerca, a chronicle of a walking corpse.

The abandoned City of La Cerca (Burgos), which was formerly the Palace of the Iron-Salinas, and Strong House even before the terrible strain of Salazar.

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At times this blog has been criticized for repeatedly complaining about bans taking pictures, when denouncing serious problems affecting the property. Well, for those "purists" go this macabre entry. Is there enough here "blood and romance bait" to satisfy his instincts protest?
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Fence in Merindad Losa (Burgos), today is a humble hamlet, 7 km from Medina de Pomar, and has 17 inhabitants (census 2007). The place survives as he can, with some tourism and the passage of hunters. However, during the Middle Ages, was a town of some importance. Here's Salazar had fortified house, where he was born Lope García de Salazar, "Iron Arm" (1264-1334). Terrible in battle, they used the singular cruelty in the gang war between "Oñacino" and "Mr. Rogers, of the Basque Country, was no less terrible in love, as he had 118 and 2 legitimate bastards. Exploits recounted by his namesake grandson, nicknamed "El Sabio" (1399-1476), in 25 volumes of the "Bienandanzas and fortunes of Mr. factional Onacinos Lope García de Salazar" . On the manor house, come down, got up in the XVII century, the Palace of the Iron-Salinas, turned into City Hall by 1955, and today total abandonment.
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This transfer, of the powerful and rebellious feudal lords, negatively affected the magnificent Romanesque N ª S ª de la Asunción (second half of twelfth century), on which there were numerous additions and reconstructions, with the noble intention aggrandizement, but at present disfigure it, to endanger structure. If you can give away solid impression, despite the damage, just a bit closer to see that we are facing "a walking corpse."
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speaking, only surviving Romanesque elements in his battered apse and presbytery. Everything else, nave, vestry, tower, and the tremendous heightening apse, are works of XV to XVII. What was lost here a primary temple, in symbolic art of the region is significant in that it is saved low. But for how long? The clock is ticking, and does so with the minutes against the integrity of this gem.
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Worst of all is that "over-apse, a kind of garret or attic, useless structure that weighs like a mountain on an apse that was not built to withstand the dead weight. Is the fossil of the great temple that was intended to raise late, but its high nave was discontinued. Luckily, it would have ended up knocking the shell apse and sculptures.
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And that insidious mass of stone, which goes over the medieval apse, is the sword of Damocles that one day, not far away, deprive us of this treasure of Romanesque symbolism. Its weight is opening the original walls, the steep bulge is clearly visible, both internally and externally.
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at the junction between the panels and pilasters apse, is clearly seen as the pressure is separating the blocks, opens as if it were a children's puzzle, the dislocated and creating separate spaces for entering rain water and frost. Of course, the hooks have been placed on a metal plate "to protect them from humidity" ...
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Where was the cornice and the dogs that held, are blocks with weep holes in any structure late that in uncertain times, it sank. The heavy mass added, disturbing cracks form, pushing a wall whose foundations were not designed to sustain the extra load.
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The windows were boarded up in a sloppy, to give greater strength to the whole, which has only served to delay the persistent crash, not avoid it.
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also many cruel mutilation and recomposition, with items that have been removed from its original location and relocated, or parts "erased" a chisel and hammer.
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cracks and gaps affecting the full thickness of the wall, as seen within the central apse window, whose archivolts also departed.
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The shell of the apse shows a strange Maiestas Domini with Tetramorph all badly repainted in red and black. It appears that such figures were not made for this place, exotic place. Have they been taken from another site, an eardrum, or a frieze, the original building? You may never be able to study them, two cracks, badly patched with cement, threaten throw down the set.
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To Whom It May Concern: A rough and amazacotado cairn as a "buttress" in front of the apse, with the sacristy attached to the north, have so far prevented the final collapse of the temple. Although the south side, free of attached buildings, represents the weakest point by which everything can fall apart. The good people of the place, as we told the nice lady who had the key, are tired of preaching in all deserts official call that do not open doors and cry in the ears that close. The civil and religious authorities, or are deaf or pass the ball, waiting for the final ruin them free to continue listening these troublesome neighbors.
Do something now, but ya, ya. This treasure can not disappear, as has consented to go away so many others, decided an emergency operation for today. Failure to do so, is brought to pillory and stocks, until the Supreme Judge of the Pantocrator, that who you claim to worship, I call your presence for a trial more severe than ours.
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National Monument Particular "

"The National Monument,
of my estate, it is especially when it rains it gets wet

like everyone else.
Crouch, and turn to duck,
that to enter you'll see
charge and not a photo will do ... "
(Project run nursery rhyme).
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The magnificent Romanesque church of San Pedro de Tejada, XIIth century, in Puente Arenas (Burgos), was declared a Historic Artistic Monument in February 1935 and National Monument in November year. Notwithstanding lovely building, it was a real estate and property from the confiscation, which were purchased from the State, Huidobro family in 1851. And so on ... private, surrounded by fences, walls and prohibitions.
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Although benefits of protection, assistance and grants appropriate State for such buildings, all of which leaves the pocket of the taxpayer, the owners, in exercising its right not to be deprived of scrub nose the private nature of the place. First, through a large gate that prevents even the approach to the temple, after the transfer that, in the hours authorized for the visit, still have to kowtow to the obscene sign of "particular property", spend another fence, and then go through box office. So, if not in business hours, the "ability" of the owners prevents even closer to the outside of the temple.
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And it is the biggest pain in the door once we have a paltry lineup preventing the taking of photographs. What's "miserable" is not metaphor, it is a reused paper on the back, where, with the awkwardness that the photo shows, cameras are prohibited inside the venue. Not out of malice or stupidity, it is business sense, because in the snack bar, charge admission also sell several books on the temple. Owners think, with monetary reason that if they stop shooting inside someone will bite and buy in her small bookstore.
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to whom it may concern: If a National Monument, protected by the laws of the state and subsidized by our taxes, how is it that allows you to their management of private and restrictive? Why are aware that a national cultural asset is treated as a business? How do admit that, year after year, growing obstacles to approach the temple gates, walls, doors? Put
quick remedy to this mess, combining the interests of owners with those of taxpayers, pagans and sufferers suffered the arrogance of the owners "of invention." Failure to do so, go to pillory and stocks, possibly to a pillory "of private property, where you need top pay to be shackled in stocks.
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Health and fraternity.